My work moves between painting and writing—two practices through which I register the present and explore the space between being alive and memory. I am drawn to what exists in between: the time between gestures, the pause between words, the layers between surface and meaning—the subtle spaces where memory, the present, and language intersect.

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I see language as both subject and material. I often refer to it as an expression of the body in relationship with nature, as it is understood by Indigenous communities of the South American lowlands. Through language, I trace the intangible: memory, heritage, and the echoes that shape them. I explore how memory settles into form—into objects—and how meaning gathers through texture, repetition, and erasure, honoring what is partial, fragmented, and still unfolding.

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I work within the tension between what is visible and what is remembered, what is articulated and what is lost. This in-between space—shifting, layered, and unresolved—is where my work chooses to be.

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My ongoing insistence on understanding the present through the transit of my body in time—with objects as symbols and language as a living resource—is what drives my movement across materials: painting, installations, drawings, books, readymades, and textiles. I understand materiality as a site of transition, where concepts and questions take form—like the place I come from.